Sunday, August 28, 2011
CHAPTER II LINK
Wednesday, August 17, 2011
Chapter III link
Chapter II (GROUP)
Chapter II
REVIEW OF RELATED LITERATURE AND STUDIES
Parker (n.d.) suggested that the scientists’ basis in measuring time is the movement of heavenly bodies such as the Earth’s rotation on its own axis or the observable changes in sun’s position in the sky. Thus, time is in effect of heavenly bodies’ movements and not of consciousness as suggested by others.
Moreover, according to Pickover Encarta (n.d.), time is classified according to specific condition or effect. It proposed that the commonly used standard time is derived from the 24-equal divisions of Earth’s sphere, otherwise known as the time zones. Furthermore, it also said that dynamical time is based on the Earth’s revolution around the sun together with the motion of the moon and other planets on their respective orbits. Lastly, it defined atomic time, which is considered as the most accurate time, as based from the electromagnetic waves’ frequency that are produced and “absorbed” by particular atoms or molecules under certain conditions. This implies that time is an existence that can be measured and in effect of natural events or occurrences.
To further evaluate the concept of time scientifically, Einstein (as cited in Emerson, 2009) implied in his theory of relativity there is no exact time in which people can base on because time depends on the speed of the object’s motion. In this theory, he stated that how one see or observe the world depends on one’s state motion and is relative to one’s reference point such as object, person or place. He furthermore concluded that an object traveling slowly gets older in a shorter period of time compared to the one which is travelling faster. A person can live up to thousands of years if he/she travels at a speed of light, as Emerson denoted from Einstein’s theory of relativity.
On the other hand, Bergson (1990) contests the idea about time which is “not measurable”. He believes that time is not what observe on our day to day life, like the ticking of the clock, the changing of hours to days, the beating of our hearts and so as everything else in space. Bergson’s idea contradicts to the conventional notions of time as imposed by Einstein and other physicists.
Bergson (1990) added that real time is the experience of a continually occurring event as perceived by an individual. Its indefinite and immeasurable occurrence due to the fact that time cannot be interrupted or categorized into sub domains.
To support his idea, Bergson (1990) stated that the memory in between the past and the present is vital in determining the order of interconnecting events. Without such, one can never find a link between the two different instances. For example, the missing link between the theory of man’s evolution from apes to homo sapiens can never be proven since there is no existing memory that justifies what really happened.
Moreover, Bergson (1990) proposed that time moves in one direction – from past to present to future. We have a glimpse of our future because we perceive it as a product of our current actions. On the other hand, having experienced the past and the present, we achieve absolute certainty. For example, if you are a computer science student, you perceive yourself as programmer in the future, but you can’t change the fact that once in your life, you were a computer science student; we cannot change our past, but we can shape our future.
To complement Bergson’s idea of time based on consciousness, Thomas Mann (n.d.) wrote his understanding of human life into a novel entitled The Magic Mountain. The novel tackles deeply about the relation of time towards every aspect of life such as “illness, religion, world view, life and death”. For him, as presented in his novel, time is something that cannot be measured through distance or space as stated by his character, Hanz, to the character’s cousin, Joachim.
According to Thomas Mann (n.d.), time depends on one’s business. If a person goes to a place just for the first time, he/she feels time as something that runs slowly or normally. However, to those people who keep on doing the same things on the same place in a long period of time, time seems to run faster.
Furthermore, in his novel, Mann (n.d.) implies that there is no time when there is no productivity. Like Joachim, a character in his novel, said that he can’t call his time “time” because he does the same routine everyday and nothing new is produced.
In addition, Mann (n.d.) stated that time changes. Just like when Hanz Castorp arrived, stayed and left, time also did. With Joachim, there is no change in time because he does the same thing everyday. That’s why upon Hanz’ visit, he sees it as a break in the “everlasting monotony” of his place.
To elaborate the concept of time based on consciousness, Thomas Mann (n.d.) stated that we tend to not notice how time changes when we enjoy and love what we are doing if we have someone to do it with even if it’s still the first time we do it in a new place. However, we feel exactly the opposite when we are alone and at the same time, we are in a new place. For example, one person spends his/her summer in the province. Being new to the environment and having no friends at all, time seems to drag as low as a turtle. As what Hanz, a character of Mann’s book Magic Mountain states, “I shall never cease to find it strange that the time seems to go slowly in a new place.”(n. p.) On the other hand, once he/she will have friends to talk to and play with, time seems to run as fast as a rabbit and he/she will not even notice it.
Synthesizing Bergson’s and Mann’s ideas of time, Emerson (2009) stated that experiencing time involves how a movement’s flow is understood. With Bergson’s “concept of the continuity of movement”, he noticed that Thomas Mann partly agreed to this idea and added it in his novel Magic Mountain when Hanz says to his cousin Joachim that time should “flow evenly”, but at the same time, Hanz still accepts that it does not.
Group Members:
Beduya, Lemuel John
Deguit, Mayflor
Lariosa, Lhou Ernestine
Misa, Tatiana Georgia
Peras, Gizelle
Wednesday, August 3, 2011
Notes #6
Trelease’s Observation of Death among Alaskan Indians
Trelease, as cited in Kubler-Ross(1975), observed that death for Alaskan Indians is not the same with common people’s notion that death is like an unexpected thief in the night that no one has been prepared for. On the contrary, Alaskan Indians take an active full participation on their death. It’s as if death is part of the plan for their lives, a choice that was willed and not forced to them. Such participation can be observed on dying Alaskan’s careful planning of his/her death, having celebration of prayers and hymns and bidding goodbye or talking to people they haven’t talked with for a long time. For them, death itself only ends life but not growth of oneself; it is instead the start of the greatest growth of their life ever in understanding, loving and faith.
Source:
Ross, E. K. (1975). Death: The Final Stage of Growth. Englewoods Cliffs, New Jersey: Prentice- Hall Inc.
Entry of: Lemuel John Beduya
Sunday, July 31, 2011
Notes #5
Life, Death and Afterlife Concept Differences of Hindus and Christians by Bryce
Between both ages and religious groups, there exist a varied understanding and conception about death and afterlife. It turns out that Hindus’ beliefs are less diverse compared to Christians. Furthermore, adult Hindus have also less varied beliefs compared to Hindu children. On the other hand, adult Christians have more differing beliefs compared to Christian children as a result of their dissimilar ways of understanding spiritual questions like “What is resurrection? Is it a resurrection of the physical body or of the soul?” (Bryce, 2007).
Bryce(2007) realized that the afterlife concepts of children under 6-8 years old and even 10-12 years old are still under improvement. And this confusion of children and even of adults about afterlife seems to be particularly evident among Christians, thus, religious programs/groups should focus on defining clearly the religion’s beliefs on life, death and afterlife, and allow children to question and discuss their divergent beliefs to make it clear for them and to minimize, if can’t be removed, confusions.
As projected, precise responses about human life, death and afterlife are given by all people from all age groups, but confusion comes in when it is about other entities such as animals or plants. Logical responses about human life and death are important for death education since it usually focuses on humans’ death but it can’t help much anymore when it comes to other entities. There was no agreed or accepted truth either from Hindus and Christians that could foretell the destiny of an animal after its death which can disappoint and disturb children having pets. Plants may cause confusion about what could be its fate after it dies, but its death is insignificant to people, especially children since almost everyone don’t get sad or bothered when it comes to death of plants, unlike to animals(Bryce, 2007).
I n general, there exist logical differences in life, death and afterlife perceptions between both Hindus and Christians, and both adults and children, and these religious and developmental differences are essential to effectively relate or sympathize to all people when it comes to much avoided topic of death(Bryce, 2007).
Reference:
Bryce, S. N. (2007). Hindu and Christian Children’s Concepts of Life, Death, and Afterwards. (Honors Thesis). Retrieved from http://discoverarchive.vanderbilt.edu/jspui/bitstream/1803/826/1/Honors%20Thesis%20Suzi%20Bryce.pdfLink from insidiousdeath:
Wednesday, July 27, 2011
Notes #4
Death Understanding and Fear of Death in Young Children
Children’s first recognition of death is at the period when they learn about the basic biological concepts of life and death – the preschool period. At this period, though the concept is still immature, children usually think death as something that occurs only to some/other people such as the ailing and/or aging people and therefore can be avoided by having a healthy lifestyle and avoiding accidents. For children, death is a normal interruption to the living state, as if one is still alive even though death had already caught you, thinking that the dead can still do and need the things the living does. Furthermore, they are not even aware of the real possible causes of death other than internal factors such as illness or external factors such as accidents (Slaughter & Griffiths, 2007).
Source:
Slaughter, V. & Griffiths, M. (2007). Death Understanding and Fear of Death in Young
Children. Clinical Child Psychology and Psychiatry, 12. Doi: 10.1177/1359104507080980
Entry of: Lemuel John Beduya
Monday, July 25, 2011
Notes #3
Investigating the Concept of Death in Adults Who are Mentally Handicapped
There are only few information about what could be the adults’ perspective of death and even fewer was known on mentally handicapped adults due to the belief that an individual’s concept of death became clear and firm at early adolescence and remains constant all throughout. Though it appears from recent researches that mentally handicapped adults may be a good springboard of research on concept of death for they have rich and differing views about death resulted from their varied dreams about their deceased loved ones and being hesitant to talk about them thinking that it would bother them from their peaceful rest, little research has been done due to lack of interest. The notion that talking about mental handicap and death as forbidden, if not offensive, topics is probably the cause of such lack of interest to conduct research on these topics. Furthermore, biased pre-judgments about the views of death from mentally handicapped such as that they may not be reliable also hinders any research about them. Therefore, collecting data about these adults’ attitudes, understanding and expectations on dying people – death, will help us to enhance our knowledge and conception about mentally handicapped adults(McEvoy, 1989).
Even with less enthusiasm from the majority, McEvoy(1989) found out that mentally handicapped adults, despite the fact that they have a logical understanding of the effect of death, there still exist a large population of them that have a little understanding on aging and on cycle of life which includes death as end result of these processes, especially if they are to be related to themselves.
Source:
McEvoy, J. (1989). Investigating the Concept of Death in Adults Who are Mentally Handicapped. The British Journal of Subnormality, 15, 115-121. Retrieved from http://contents.bjdd.net/oldPDFs/69_115to121.pdf
Link from insidiousdeath(common blog): http://insidiousdeath.wordpress.com/2011/07/24/notes-4/
Notes #2
Why Is It Hard to Die?
In her book, Ross(1975) cited that according to Hans O. Mauksch , Ph. D., one of the reasons why it is hard to die is the health institutions’ perspective of dying people. In our modern and complex society, we set up expectations and roles that should be done by the health institutions such as the hospitals and its workers: the doctors and nurses. And those roles were to heal or to cure sickness and to aid in recovery process. And these expectations what made the health institutions shift from being devoted to help those poor and dying people to an institution that focuses only to meet the expectations of the society. Thus, even with the advancement of the science and technology of medicine, health institutions perceive the dying people as failures of their roles without even considering that those people served also as a reminder of the limits of the science and technology of medicine. And the very prevalent example of this is the whisking away as quickly as possible of the bodies of the dead persons even minutes have only passed after their death, as if their deaths were a haunting reminder to them that they failed. With that connotation, it’s hard for people to die for they don’t want to symbolize failure that needs to be get rid of or hidden away, they want to be cared and cherished even in death(pp. 5-8).
Source:
Ross, E. K. (1975). Death: The Final Stage of Growth. Englewood Cliffs, New Jersey: Prentice – Hall Inc.
Link from insidiousdeath(common blog): http://insidiousdeath.wordpress.com/2011/07/20/notes-3/
Notes #1
Death in Disney Films: Implications for Children’s Understanding of Death
Portrayals of death by media, such as Disney movies may affect children’s concept of death. These death scenes may be good or bad for the children. Good, since those portrayals may help children understand death in a less fearful and harsh way. These movie scenes may help the children to learn on how to cope up and understand the situation when someone dear to them dies. Furthermore, since most of the parents or adults avoid talking about the grim reality of death with the children, these movies therefore will serve as a starting point for both parents and children to discuss freely the most avoided topic of death as depicted in the Disney movies by relating them to the reality, removing the unrealistic parts, and clarifying the parts which are exaggerated or perplexing. On the other hand, it may bad because it may affect the children’s concept of morality since most of the Disney movies depict the death of the bad guys – the antagonists, giving the children the perception that bad people really deserve to die. These movies also may distort the children’s concept of death when they depict unclear and exaggerated way of death or in relaying vague messages pertaining to death. And it is during these times that parents should freely discuss with their children to what is really happening or the reality in a way that is understandable to the children (Cox, Garett, & Graham, 2005).
Therefore, we can assume that death for children may be as simple as sleeping but when the media comes in, they change or distort it by persistently depicting in the movie scenes that bad people will die and deserve to die, and the good people may come back alive or there will be always someone who will bring them back in the world of living. And as result, the children may bring this perception until adulthood and may become their foundation on the concept of death.
Source:
Cox, M., Garrett, E., & Graham, J. A. (2005). Death in Disney Films: implications for Children’s Understanding of Death. (Unpublished thesis, College of New Jersey, Ewing). Retrieved from http://jgraham.faculty.tcnj.edu/scan/0009.pdf
Link from the insidiousdeath(common blog): http://insidiousdeath.wordpress.com/2011/07/13/notes-1/
Thursday, July 14, 2011
(Common) Blog for Research
Saturday, July 9, 2011
Paraphrasing Exercise
Another exercise, specifically paraphrasing exercise given to us by our Comm2 instructor to prepare us for our ever so near research paper.
Original Text:
1. Time is also described in Chassidism as the flux of ratzo v'shov -- a continual positive/negative oscillation of creative energy that drives all phenomena of the cosmos. Just as hearts beat, lungs inhale and exhale, energy pulsates in waves, particles vacillate between negative and positive states, so too the very substance of the cosmos continually oscillates between a state of being and not-being. This oscillation, as well, "precedes" Time as we know it. The essential continuum of Time in our world is the eventual manifestation of this higher form
Paraphrased Version:
Time is also described as the continuous movement or cycle of the opposites such as the yin and yang or the charges’ positive and negative, as proposed in Chassidism’s “ratvo v’shov”. And this very concept of movement between the opposites is the foundation of all the phenomena in the universe. This specific movement also precedes the concept of time as what most people know, thus, it can be inferred that time’s continuity depends on this movement’s manifestations (Freeman, 2011).
Original Text:
2. Why does creation necessitate ratzo v'shov? The standard explanation in Chassidism goes as follows: For anything to exist, two opposite processes are necessary. On the one hand, the object must be sustained by the will of its Creator. On the other, it must feel itself as a detached and distinct entity of its own. Ratzo v'shov is the artifact of this dynamic of conflict. In this way, it is the glue, or intermediary, between the creative force and the created being. In the words of Rabbi Menachem Mendel of Lubavitch (the "Tzemach Tzedek", 1789-1866), Time is the intermediary between the cosmic soul and space. Time is the process of being, as opposed to the content of being.
Paraphrased Version:
The concept of creation needs the Chassidism’s ratzo v’shov since the latter’s concept of continuous movement of opposing energies or forces supplements the creation’s. With ratzo v’shov’s concept, a notion was formed that creation involves the dependence and independence of the ‘Creator’, dependence and independence being the divergent forces. Furthermore, ratzo v’shov, aside from being a supplementary concept for creation, is also thought as the mediator of the ‘Creator’ and of the ‘Created’ such as the human beings. Other than that, time is also the mediator of the “cosmic soul and space”, the development of the creations and not the creations themselves as suggested by Rabbi Menachem Mendel of Lubavitch (Freeman, 2011).
Source:
Freeman, T. (2011). What is Time. Retrieved from http://www.chabad.org/library/article_cdo/aid/74335/jewish/What-is-Time.htm
Wednesday, July 6, 2011
Precis Exercise
1. It's worth emphasizing that although we say this form of Time preceded creation of the physical world, its precedent is not in terms of physical time that has any form of measurement -- just as we have no form of measurement of any of the higher worlds or the phenomena within them. Furthermore, this form of Time is also a creation, just as all else within the higher cosmos. It precedes the creation of the physical world, but is not primal in an absolute sense. That is to say, the very concept of precedent and antecedent is a creation.
Source:
Sunday, June 19, 2011
Plagiarism Exercise
Student Revision 1
Mickey Mouse is a well loved symbol of the greatness of America because he represents a long carefree era when everything in the world has gone well for the most prosperous nation on earth. The fame of Mickey Mouse has spread around the world in the same way that Coca Cola and MacDonalds have arrived in even the most obscure corners of the earth. He symbolizes the prosperity of Americans throughout a period when they have dominated the world both economically and politically. Mickey Mouse has become a movie star and a household name. This symbolizes the American dream where everyone (including apparently rodents and quite possibly many other non-human personalities) can expect freedom of speech, freedom of actions and freedom to make an honest living.
While it is true that Mickey Mouse symbolizes America this should not be regarded as a positive but rather a negative feature of the small rodent's character. He has been promoted by the American publicity machine. This is a form of insidious colonialism that is far more evil than the European colonialism of the past. In their era the Europeans were unstoppable just as Mickey Mouse and all that follows is unstoppable. The important difference is that European colonialism was immediately noticeable and, therefore, more possible to resist.
Mickey and Minnie Mouse demonstrate socially acceptable inter-personal behavior with their collection of animal friends. These characters have developed as vehicles for teaching young children the key elements of social behavior. Parents of today have grown up on the antics of Mickey Mouse and his friends and are happy for their children to do so. However, some people think he is not the role model who shows children how to interact socially with groups of friends and with individuals of the opposite sex. But he is a dictator who moulds children to social behaviour patterns which are alien to their society. He fosters rampant consumerism among nations who are economically unready for it, thus, creating bankrupted dependent client states. He also contributes to linguistic colonization.
Is this text guilty of plagiarism? If so, what exactly is wrong? How can you correct it? Your comments:
Yes, this a clear example of plagiarism. Mostly of the texts were copied directly though the order of which the sentences/phrases appear were rearranged and as a result of rearranging those texts,the viewpoints of the two authors somewhat became vague. This text did not even recognize the sources of its contents. If the writer of this text added his/her own opinions or comments to the subject matter, it's barely noticeable. It's as if he/she hadn't done any job at all.
To correct this, for starters, the writer of this text must have recognized the author/s of the source texts. He/she must have at least tried to paraphrased the texts from the authors and added his/her own viewpoints, comments, or comparison and/or contrast of the authors' views. And to make it perfectly, he must also have explained clearly and thoroughly the authors' complementing if not, conflicting viewpoints.
Student Revision 2
Michel Souris says Mickey Mouse, the charming little mouse from Walt Disney, is known around the world. He is considered a playful character who often gets into trouble but inevitably comes out on top. His resourcefulness and wit are regarded as symbolizing all that is best about America and the Americans. While it is true that Mickey Mouse symbolizes America this should not be regarded as a positive but rather a negative feature of the small rodent's character.
R.O. Dent also says that it is significant that a creature often viewed in other countries as a pest to be eradicated can rise in the United States of America to become a movie star and a household name. This symbolises the American dream where everyone (including apparently rodents and quite possibly many other non-human personalities) can expect freedom of speech, freedom of actions and freedom to make an honest living. It is important to note in this context that the rise to fame and or riches of an underdog has long been a popular theme in the folk lore of western countries in general but of America in particular.
Michel Souris also says that the fame of Mickey Mouse has spread around the world in the same way that Coca Cola and MacDonalds have arrived in even the most obscure corners of the earth. It has been promoted by the American publicity machine. This is a form of insidious colonialism that is far more evil than the European colonialism of the past. In their era the Europeans were unstoppable just as Mickey Mouse and all that follows is unstoppable. The important difference is that European colonialism was immediately noticeable and, therefore, more possible to resist.
He also says that for nine tenths of the world Mickey Mouse is not, in fact, the lovable underdog who manages to succeed in the land of plenty. He is not the role model who shows children how to interact socially with groups of friends and with individuals of the opposite sex. He is, by contrast, a dictator who moulds children to social behaviour patterns which are alien to their society. He fosters rampant consumerism among nations who are economically unready for it, thus, creating bankrupted dependent client states. He also contributes to linguistic colonization.
Is this text guilty of plagiarism? If so, what exactly is wrong? How can you correct it? Your comments:Yes, this text is still guilty of plagiarism. Though the writer of this text recognized the authors of its source texts whenever the text appears,he/she just done a mere direct copying of the texts. Albeit the texts were ordered properly in such a way to make the points more coherent and relevant, the writer didn't clearly distinguish which parts were his/her own and which parts were just merely copied. The only good thing of this text is it was able to recognize the source texts' authors and that is all.
To remedy this fault, the writer must have made a comparison and/or contrast of the authors' viewpoints to make it more comprehensive, added his own opinions and wrote it in such a way that a reader can distinguish which of the texts were his/her own and not. In other words, to make the reader be able to gauge how much work was done by the writer.